“This particular mix represents exactly what I like about UK underground music culture: Deep and gloomy dubstep, and garage. In Copenhagen dubstep is really big, but we are couple of guys who are trying to introduce other strains of garage to the scene, and so far it’s actually kind of working. The way I usually do it is playing a selection like this one, gently working my way from dubstep to garage.”

Peverelist ft Pinch – Revival
Martin Buttrich – Well Done (Papa Ench Remix)
POBE – Lukwata (DUB)
Kode 9 – Ping
SP:MC – Taiko Dub
Vex’d – 3rd Choice (Loefah Remix)
Loefah – System
Furesshu – Dirty Bomb
Random Trio – Haunted (Omen Mix)
LV – Dream Cargo
Nekrotekh – Sigma One (DUB)
Loefah – Beat Them
POBE – Devil Doll (DUB)
Horsepower Productions – Voodoo Spell
Horsepower Productions – Django’s Revenge
El-B – Digital
So Solid Crew – Ride Wid Us
Sarantis – Bussyahead
PHOKUS – Dem All Shot
El-B – Buck & Bury
187 Lockdown – Kung-Fu (Ramsey and Fen Remix)
187 Lockdown – Southside (C-Ken Remix)
Ruff Driverz – Deeper Love (Hysteric Ego mix)
POBE – ? (DUB)
Box Clever – Questions (MJ Cole dub)
Hot City – No More
Zed Bias – Neighbourhood 09 (Zed Bias club mix)

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It’s music to dance to, not music to bang your head to. You can do your own dance, your shoulder dance or nod your head – you don’t have to go all out. And that’s why I like to do long sets. I’ve been getting two hours sets recently, I feel like it really represents me, I want to go everywhere. I’ll play the hard aggressive tune at the right time but at the same time I’ll bring it all the way down to something else that’s nice and mellow. The way I see it is a banger is only a banger if the last tune wasn’t. You have to go harder and harder and harder. It’s like heroin: in the end you don’t feel it.

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— Silkie, interviwed on Blackdown

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Throughout 2008 I was very confused about where the sound was going. There was this whole jump up thing going on, which is what it is. To be honest it’s not my preferred music but… it fills a gap. What I want to push with Swamp 81 is the gap that isn’t really being represented anymore. The roller, the halfstep: spacious. [...] That’s what I’d like to do with Swamp. And I don’t want it to be labelled as ‘the halfstep label.’ I want it to have that kind of tunnel vision Metalheadz had in 1996, that kind of ‘we’re going this way. I’m not watching what you’re doing—I’m going straight ahead.’

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— Loefah, interviewed on Pitchfork

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Two sneaky mixes of Roots Manuva’s seminal “Witness”, with a banging breaks mix on one side and a very well crafted dubstep mix on the other…

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— freshcuts.ch